ANNA LOUISE RICHARDSON
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SPOT THE DIFFERENCE

What’s the difference between fact and fiction? Can you spot the difference?
Ask anyone in Penrith, and they will have heard of the myth of the panther. In fact, most have seen it, or know someone who has. With origins that span from circus escapees, World War II mascots, and the trade of exotic animals from the 19th Century, it’s a tale that has people sitting in one of two camps – fact or fiction.
Spot the Difference brings together artists from Penrith and across Australia to celebrate and interrogate the story of ‘The Big Black Cat’ as a foundational mythology for our region. Working across drawing, painting, sculpture, fashion and installation, these artists highlight the varying origins of the mythology, and the ways in which the story is being told and retold today.
Either way, it’s a story that’s connected with Penrith, not least because of the success of the Penrith Panthers football club. So what happens if we give credence to the story? What can it tell us about the character, identity, and communities of a place like Penrith? A place on the urban and rural divide, where the settled and the wilderness meet. A place where the panther has become synonymous with pride from coming from the west.  Where it counts to stand up, be counted and be seen. And where excellence – across culture, sport and community – can be found hiding in plain sight.
After all, even panthers have spots, you just have to look a little closer.

Curated by Toby Chapman.
Artists: Abdul-Rahman Abdullah, Billy Bain, Daniel Boyd, Shannon Boyd, Blak Douglas, Troy Emery, Lyndal Irons, Claudia Nicholson, Jason Phu & Maja Baska, Anna Louise Richardson, Kate Rohde, Osselan Tupai Scanlan, Regina Walter, Chris Whiticker & Linda Brescia
Penrith Regional Gallery, Emu Plains, NSW. 
9 November - 16 February 2026.
Picture
Picture
Picture
Anna Louise Richardson, On the hunt , 2017, charcoal, acrylic, pastel and glow in the dark acrylic on cement fibreboard, 215 x 345cm
Photography: Silversalt Photography ​
  • WORKS
    • WORKS
    • COMMISSIONS
  • EXHIBITIONS
    • SOLO >
      • 2025 HOLD
      • 2023-2026 THE GOOD
      • 2020 WHEN NIGHT FALLS
      • 2020 WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
      • 2017 ON THE HUNT
      • 2017 GIFT HORSE
      • 2015 FLATLAND
      • 2015 GELDED
    • DUO >
      • 2024 SHELTER
      • 2023 STILL WATCHING
      • 2022 WATCHING
      • 2019 DEAD THINGS
    • GROUP >
      • 2024 REAL, STILL, UNREAL
      • 2024 SPOT THE DIFFERENCE
      • 2024 HORSE GIRL ENERGY
      • 2023 BREAD OF BONE
      • 2022 SUBSTRATUM
      • 2021 STORYLINES
      • 2019 HERESAY
      • 2018 ANIMAZE
    • FELLOWSHIPS >
      • 2025 APEXART FELLOWSHIP
      • 2016 YOUNG PEOPLE AND THE ARTS FELLOWSHIP
  • CURATORIAL
    • 2021 THE ALTERNATIVE ARCHIVE
    • 2020 REFRACTED REALITY
    • 2018 HERE&NOW18
    • 2017 I WAS HERE
    • 2016 - 2019 DEAD CENTRE
    • 2016 TELLTALE
    • 2016 WE'RE NOT DEAD YET >
      • Symposium
    • 2015 PLASTIC
    • 2015 I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • 2014 WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ANNA'S ANIMAL STICKERS
  • ABOUT
    • BIOGRAPHY
    • CV
    • WATCH
  • CONTACT
    • EMAIL ME
    • NEWSLETTER
    • INSTAGRAM