ANNA LOUISE RICHARDSON
  • WORKS
    • WORKS
    • COMMISSIONS
  • EXHIBITIONS
    • SOLO >
      • 2025 HOLD
      • 2023-2026 THE GOOD
      • 2020 WHEN NIGHT FALLS
      • 2020 WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
      • 2017 ON THE HUNT
      • 2017 GIFT HORSE
      • 2015 FLATLAND
      • 2015 GELDED
    • DUO >
      • 2024 SHELTER
      • 2023 STILL WATCHING
      • 2022 WATCHING
      • 2019 DEAD THINGS
    • GROUP >
      • 2024 REAL, STILL, UNREAL
      • 2024 SPOT THE DIFFERENCE
      • 2024 HORSE GIRL ENERGY
      • 2023 BREAD OF BONE
      • 2022 SUBSTRATUM
      • 2021 STORYLINES
      • 2019 HERESAY
      • 2018 ANIMAZE
    • FELLOWSHIPS >
      • 2025 APEXART FELLOWSHIP
      • 2016 YOUNG PEOPLE AND THE ARTS FELLOWSHIP
  • CURATORIAL
    • 2021 THE ALTERNATIVE ARCHIVE
    • 2020 REFRACTED REALITY
    • 2018 HERE&NOW18
    • 2017 I WAS HERE
    • 2016 - 2019 DEAD CENTRE
    • 2016 TELLTALE
    • 2016 WE'RE NOT DEAD YET >
      • Symposium
    • 2015 PLASTIC
    • 2015 I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • 2014 WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ANNA'S ANIMAL STICKERS
  • ABOUT
    • BIOGRAPHY
    • CV
    • WATCH
  • CONTACT
    • EMAIL ME
    • NEWSLETTER
    • INSTAGRAM

Foxes

SKU:
Foxes
YEAR. 2017
MEDIUM. charcoal and pastel on cement fibreboard
DIMENSIONS. 70 x 70cm
EXHIBITION HISTORY. 
2017 On the hunt, Galerie pompom, Sydney, NSW
2020  When night falls, Maitland Regional Art Gallery, Maitland, NSW
COLLECTION. Private




Foxes is part of a body of work exploring rural mythology and storytelling and is a continuation of her research into the existence of the Phantom Cat and emerges from a sense of vulnerability that arises when alone in the bush. Richardson’s drawings delve into the global mystery of a large feline cryptid stalking rural areas and conspiracy theories imposed on the natural environment.


Operating in the area between fiction and reality this body of work originates from Richardson’s personal experience on the land as the sixth generation to live and work on a 3000 acre beef cattle farm in Western Australia. Her work considers rural mythology, rendering animal archetypes as tropes of national and personal identity, revealing how our relation to place (and nature more broadly) is filtered and shaped through layers of history, storytelling and imagination.
  • WORKS
    • WORKS
    • COMMISSIONS
  • EXHIBITIONS
    • SOLO >
      • 2025 HOLD
      • 2023-2026 THE GOOD
      • 2020 WHEN NIGHT FALLS
      • 2020 WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
      • 2017 ON THE HUNT
      • 2017 GIFT HORSE
      • 2015 FLATLAND
      • 2015 GELDED
    • DUO >
      • 2024 SHELTER
      • 2023 STILL WATCHING
      • 2022 WATCHING
      • 2019 DEAD THINGS
    • GROUP >
      • 2024 REAL, STILL, UNREAL
      • 2024 SPOT THE DIFFERENCE
      • 2024 HORSE GIRL ENERGY
      • 2023 BREAD OF BONE
      • 2022 SUBSTRATUM
      • 2021 STORYLINES
      • 2019 HERESAY
      • 2018 ANIMAZE
    • FELLOWSHIPS >
      • 2025 APEXART FELLOWSHIP
      • 2016 YOUNG PEOPLE AND THE ARTS FELLOWSHIP
  • CURATORIAL
    • 2021 THE ALTERNATIVE ARCHIVE
    • 2020 REFRACTED REALITY
    • 2018 HERE&NOW18
    • 2017 I WAS HERE
    • 2016 - 2019 DEAD CENTRE
    • 2016 TELLTALE
    • 2016 WE'RE NOT DEAD YET >
      • Symposium
    • 2015 PLASTIC
    • 2015 I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • 2014 WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ANNA'S ANIMAL STICKERS
  • ABOUT
    • BIOGRAPHY
    • CV
    • WATCH
  • CONTACT
    • EMAIL ME
    • NEWSLETTER
    • INSTAGRAM