ANNA LOUISE RICHARDSON
  • WORKS
    • WORKS
    • COMMISSIONS
  • EXHIBITIONS
    • SOLO >
      • 2025 HOLD
      • 2023-2026 THE GOOD
      • 2020 WHEN NIGHT FALLS
      • 2020 WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
      • 2017 ON THE HUNT
      • 2017 GIFT HORSE
      • 2015 FLATLAND
      • 2015 GELDED
    • DUO >
      • 2024 SHELTER
      • 2023 STILL WATCHING
      • 2022 WATCHING
      • 2019 DEAD THINGS
    • GROUP >
      • 2024 REAL, STILL, UNREAL
      • 2024 SPOT THE DIFFERENCE
      • 2024 HORSE GIRL ENERGY
      • 2023 BREAD OF BONE
      • 2022 SUBSTRATUM
      • 2021 STORYLINES
      • 2019 HERESAY
      • 2018 ANIMAZE
    • FELLOWSHIPS >
      • 2025 APEXART FELLOWSHIP
      • 2016 YOUNG PEOPLE AND THE ARTS FELLOWSHIP
  • CURATORIAL
    • 2021 THE ALTERNATIVE ARCHIVE
    • 2020 REFRACTED REALITY
    • 2018 HERE&NOW18
    • 2017 I WAS HERE
    • 2016 - 2019 DEAD CENTRE
    • 2016 TELLTALE
    • 2016 WE'RE NOT DEAD YET >
      • Symposium
    • 2015 PLASTIC
    • 2015 I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • 2014 WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ANNA'S ANIMAL STICKERS
  • ABOUT
    • BIOGRAPHY
    • CV
    • WATCH
  • CONTACT
    • EMAIL ME
    • NEWSLETTER
    • INSTAGRAM

Container

SKU:
Container
YEAR. 2023
MEDIUM. charcoal on cement fibreboard
DIMENSIONS. 228 x 240cm
EXHIBITION HISTORY. 
2023 The Good, Co-Curated by Dr Lee-Anne Hall, Wagga Wagga Art Gallery, NSW & Rachel Arndt, Wangaratta Art Gallery NSW/The Condensery – Somerset Regional Art Gallery QLD (National tour with Museums & Galleries of New South Wales 2023-2026)
COLLECTION. Available




"​Most of the farms in our area have old shipping containers variously functioning as a kind of rural garage for storing furniture, household goods, spare floorboards, books, old beds, camping gear, farm supplies and things that might be useful or important that don’t belong in the workshop. 
My family is the seventh generation on the same property and every household has their own container. To me they represent a holding space for generational knowledge, everything put in there must have been important, even if I no longer have the key to understanding why or what an item is for. They are also space for infinite possibility, if we need something my first port of call is to look in the container. I am always optimistic I will find exactly what I need in the container, especially if I have seen something once or have a memory of it, it must still be here."
  • WORKS
    • WORKS
    • COMMISSIONS
  • EXHIBITIONS
    • SOLO >
      • 2025 HOLD
      • 2023-2026 THE GOOD
      • 2020 WHEN NIGHT FALLS
      • 2020 WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
      • 2017 ON THE HUNT
      • 2017 GIFT HORSE
      • 2015 FLATLAND
      • 2015 GELDED
    • DUO >
      • 2024 SHELTER
      • 2023 STILL WATCHING
      • 2022 WATCHING
      • 2019 DEAD THINGS
    • GROUP >
      • 2024 REAL, STILL, UNREAL
      • 2024 SPOT THE DIFFERENCE
      • 2024 HORSE GIRL ENERGY
      • 2023 BREAD OF BONE
      • 2022 SUBSTRATUM
      • 2021 STORYLINES
      • 2019 HERESAY
      • 2018 ANIMAZE
    • FELLOWSHIPS >
      • 2025 APEXART FELLOWSHIP
      • 2016 YOUNG PEOPLE AND THE ARTS FELLOWSHIP
  • CURATORIAL
    • 2021 THE ALTERNATIVE ARCHIVE
    • 2020 REFRACTED REALITY
    • 2018 HERE&NOW18
    • 2017 I WAS HERE
    • 2016 - 2019 DEAD CENTRE
    • 2016 TELLTALE
    • 2016 WE'RE NOT DEAD YET >
      • Symposium
    • 2015 PLASTIC
    • 2015 I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • 2014 WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ANNA'S ANIMAL STICKERS
  • ABOUT
    • BIOGRAPHY
    • CV
    • WATCH
  • CONTACT
    • EMAIL ME
    • NEWSLETTER
    • INSTAGRAM