BIOGRAPHY
Anna Louise Richardson is an artist and freelance curator investigating rural Australian identity and associated mythologies. Richardson works primarily in charcoal and graphite on cement fibreboard, using a realistic approach, flattened perspective, cut-out shapes and manipulated scale to amplify the subject matter. Her artistic practice reveals ideas of intergenerational exchange, parenthood and signifiers of identity based on her experiences of life in rural Australia living and working on a multi-generation beef cattle farm. The complexities of human relationships with the natural world and the intergenerational qualities of these relationships are driving themes throughout her practice. Richardson's work depicts animals as a recurring motif to examine shared values on the role of animals in culture, commerce and ecology and how these are shaped through different narratives.
Richardson shares a studio on the farm with her husband Abdul-Rahman Abdullah – a Malay/Australian Muslim artist whose sculptural practice draws on the narrative capacity of animals to explore the intersection of politics, cultural identity and the natural world. Their two daughters, Aziza and Althea are the seventh generation to grow up on the property. Richardson's work is often autobiographical, revealing intergenerational connections with the land. Her parents manage the farm business, and her late mother was a veterinarian, artist and furniture designer maker who ran Megan Christie Designs from a converted shearing shed studio.
Richardson holds a Bachelor of Fine Arts from Curtin University of Technology, Perth and has been a practicing artist since 2014. Primarily a visual artist she also contracts as an independent curator working with Australian art institutions, festivals and organisations. Richardson's curatorial practice focuses on issues of regional and marginal identity as well as intergenerational communication. She is particularly interested in art practices concerned with place making, the archive and identity politics and is committed to working with different communities within the Australian social landscape to provide platforms and acknowledgment of diverse voices and experiences.
Richardson shares a studio on the farm with her husband Abdul-Rahman Abdullah – a Malay/Australian Muslim artist whose sculptural practice draws on the narrative capacity of animals to explore the intersection of politics, cultural identity and the natural world. Their two daughters, Aziza and Althea are the seventh generation to grow up on the property. Richardson's work is often autobiographical, revealing intergenerational connections with the land. Her parents manage the farm business, and her late mother was a veterinarian, artist and furniture designer maker who ran Megan Christie Designs from a converted shearing shed studio.
Richardson holds a Bachelor of Fine Arts from Curtin University of Technology, Perth and has been a practicing artist since 2014. Primarily a visual artist she also contracts as an independent curator working with Australian art institutions, festivals and organisations. Richardson's curatorial practice focuses on issues of regional and marginal identity as well as intergenerational communication. She is particularly interested in art practices concerned with place making, the archive and identity politics and is committed to working with different communities within the Australian social landscape to provide platforms and acknowledgment of diverse voices and experiences.