ANNA LOUISE RICHARDSON
  • WORK
    • WHEN NIGHT FALLS
    • WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
    • DEAD THINGS
    • AZIZA'S ZODIAC
    • GIFT HORSE
    • ON THE HUNT >
      • Young People and The Arts Fellowship
    • FLATLAND
    • GELDED
    • OTHER >
      • Waiting for Dad
      • Little big rocks
      • Horses
      • People
  • CURATORIAL
    • THE ALTERNATIVE ARCHIVE
    • REFRACTED REALITY
    • HERE&NOW18
    • I WAS HERE
    • DEAD CENTRE
    • TELLTALE
    • WE'RE NOT DEAD YET >
      • Symposium
    • PLASTIC
    • I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ABOUT
    • BIOGRAPHY
    • CV
    • MEDIA
  • SHOP
    • ALL PRODUCTS
    • DECALS >
      • Single decals
      • Any 3 Decals
      • Special decals
    • Wallpaper
  • CONTACT

when night falls

Anna Louise Richardson’s expertly executed drawings are based on her experience of living and working on a 7th generation family farm in rural Western Australia.

​When night falls
 brings together work created over the last 5 years exploring the complex relationship between rural life, the environment and ecological responsibility. Animals are often used in Anna’s work as a recurring motif connecting us all as living creatures with shared vulnerabilities. The exhibition is also part memoir, it reveals the artist’s personal grief with the recent loss of her mother and her experiences as a young mother navigating family, generational connections and her own relationship to the land.

Maitland Regional Art Gallery, Maitland, NSW.
10 October - 15 November 2020.

CLICK HERE TO VIEW THE CATALOGUE
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Anna Louise Richardson, Dream Horse, 2015, conte, charcoal and gold leaf on cement fibreboard, 100 x 70cm (left)
Anna Louise Richardson, ​Aziza's Zodiac (February), 2018, graphite and glitter on paper, 100 x 70cm (right)
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Anna Louise Richardson, Struck, 2015, conte on cement fibreboard on hollow core door, 204 x 609cm
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Anna Louise Richardson, Flatland, 2015, two channel HD video, edition of 5, 10 minutes
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Anna Louise Richardson, Waiting for Dad, 2016, graphite on paper, wood, 250 x 140 x 90cm
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Anna Louise Richardson, Goat, 2019, graphite on sliced paper, framed, 152 x 115cm (left)
Anna Louise Richardson, Sundae, 2019, charcoal on cement fibreboard, 240 x 91cm (middle)
Anna Louise Richardson, Post, 2015, conte on cement fibreboard on hollow core door, 204 x 348cm (right)
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Anna Louise Richardson, Wallpaper, 2020, HP Latex Print onto HP PVC Free wallpaper, available 60 x 120cm, 120 x 240cm or custom order
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​L-R
Anna Louise Richardson, Knife, 2019, charcoal on cement fibreboard, 167 x 20cm
​Anna Louise Richardson, Power Boards, 2019, charcoal and ink on cement fibreboard, 62cm diameter
Anna Louise Richardson, Car Crash, 2019, charcoal on cement fibreboard, 105 x 80cm
Anna Louise Richardson, Redback, 2019, charcoal and oil paint on cement fibreboard, 47cm diameter

​​Anna Louise Richardson, Ratsak, 2020, charcoal on cement fibreboard, 60 x 80cm
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Anna Louise Richardson, Foxes, 2017, charcoal and pastel on cement fibreboard, 70 x 70cm
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Anna Louise Richardson, On the hunt, 2017, charcoal, acrylic, pastel and glow in the dark acrylic on cement fibreboard, 215 x 345cm
Photography: Clare Hodgins
  • WORK
    • WHEN NIGHT FALLS
    • WE SHOULD BE MORE AFRAID OF THE SUN THAN THE MOON
    • DEAD THINGS
    • AZIZA'S ZODIAC
    • GIFT HORSE
    • ON THE HUNT >
      • Young People and The Arts Fellowship
    • FLATLAND
    • GELDED
    • OTHER >
      • Waiting for Dad
      • Little big rocks
      • Horses
      • People
  • CURATORIAL
    • THE ALTERNATIVE ARCHIVE
    • REFRACTED REALITY
    • HERE&NOW18
    • I WAS HERE
    • DEAD CENTRE
    • TELLTALE
    • WE'RE NOT DEAD YET >
      • Symposium
    • PLASTIC
    • I AM, YOU ARE, WE ARE >
      • Artist Interviews
    • WORTH ITS WEIGHT IN GOLD >
      • Dinners
  • ABOUT
    • BIOGRAPHY
    • CV
    • MEDIA
  • SHOP
    • ALL PRODUCTS
    • DECALS >
      • Single decals
      • Any 3 Decals
      • Special decals
    • Wallpaper
  • CONTACT